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Then away we go with a fast, rippling melody in the strings over a slightly shifted oom-pah support (the strong bass beats are actually on count 4 instead of the naturally dominant 1). The melody finishes and the fanfare repeats itself. Dave and busters power card hack. While the melody starts off the same for the second time, it veers into raucous new territory at 0:28. Well, not really new. Go back to 0:15 and listen to the trombones (the camera even focuses on them). Sound familiar? Nice foreshadowing by the bones there.
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Hear how that changes the mood of the melody? Anyway, back to the piece.
Those don’t last for long, either, and we’re back to the trumpet theme one more time. The horns really show off at 4:21 with their bold statement of the slow theme, punctuated by the timpani. 
We get one last flourish from the winds and strings, a soft, short chord, then a final boom! Stay tuned for the – I have some fun things to share! Get a recurring 10% discount!
For some reason, I find that part quite satisfying on my bass clarinet (at least in the band arrangement; I’ve never played the orchestral part). Maybe it’s because I get to pretend I’m a timpani. Bernstein takes us through a development section, manipulating the original fast melody and giving it to various soloists – flute, clarinet, and bassoon.
I get jealous of the folks who get to play it! At 1:46 we get into the B section of this theme, mostly the same rhythm as before but a different melodic line. From there we have a bit of an interjection by the woodwinds that brings us back to the A section of the theme. Now the horns get that beautiful countermelody (along with the piccolo, but honestly, I’m all about the horns at that point). After drinking in that rich sound, Bernstein wakes us up with an abrupt return to the fanfare from the beginning of the piece. This time, though, we hear the theme in a quieter manner, with a flute solo on the melody (2:21), joined by some wicked sawing by the first violin at 2:28.