While countless groups have attempted to create an experience of industrialized horror, none have been able to do so with the raw, barbaric intensity of Pig Destroyer’s Prowler in the Yard. To be sure, there are undeniably faster albums out there, yet none can match the air of menace created by the trio. Like Mick Harris and the other legendary blasters before him, Brian Harvey’s drum work seldom strays from the straightforward-in-theory-yet-insanely-difficult-in-practice syncopated blast, the drumbeat that, more than any other stylistic element defines the genre. A grindcore drummer’s mettle is often judged by his or her arm strength, and, following these criteria, Harvey is an undisputed master; part of what makes Prowler so frightening is the unrelenting, almost unnatural precision of the drums. Compounding this quality is the guitar work of Scott Hull.
Pig Destroyer Prowler In The Yard Lyrics
Brian Harvey is also doing a good piece of shit. His blasts are kickass, but he also can play very technically. Intro for Junkyard God always gets me. I don't know what else I could say about him.
If you're not a fan of the grind, PD supply plenty of chug, guitarist Scott Hull can craft a head noddingly nasty riff at the drop of a hat, just listen to 'Piss Angel'. Fans of weird noise stuff will enjoy ' Jennifer' parts 1&2 with the computerised voice describing a horrific scene involving a character of that name.
Pig Destroyer - Prowler in the Yard. Obviously Pig Destroyer do not really 'sound' like Slayer, but there are definitely, without an ioda of a doubt. Back in '07 a friend of mine tried to get me into Pig Destroyer. He loaned me all the albums that they had released up until that point but other than a few riffs, I couldn't really get into it. Some time passed and I decided to give them another try. Torrent x hdl 4.2.5 crack. The album that turned the corner for me was 'Prowler In The Yard'.
“Starbelly” is my favorite of these slower tracks, as it comfortably sinks into the mind-numbing depths of agonizing dirge-core. As for the faster tracks, all of them deliver in spades, although I’m a bit partial to “Scatology Homework”, “Evacuating Heaven”, and “Intimate Slavery” for their somewhat smoother vocal phrasing. Simply stated, “Prowler In The Yard” puts Pig Destroyer among the grindcore elite, and those who have yet to realize this are cheating themselves. First of all, this isn't meant to be negative, but this album should hardly count as grindcore. When they're not playing over-the-top thrash metal riffs on cocaine, they get into some sort of an Acid Bath or Melvins type groove. The only things grindcore here are the vocalist (who is really just your typical hardcore punk singer; an amazing one at that) and when the drummer's blasting away (but hey, blastbeats, a hardcore punk invention, found an audience in metal over 20 years ago already). So what is this?
You're left to wonder what it has to say. Is it singing words at all?
And if you thought the lyrics of the opening track were twisted, you haven't heard anything yet. The climax of the story is even more sick, disgusting, and downright wonderful. Once we've discovered the conclusion of the story, the track doesn't stop. We're left hanging with the same eerie ambience as before. It continues for a short while, until we have some electronic entity singing quietly.
Free Mumia Abu Jamal.” Additionally, were recently confirmed as a co-headliner for Denver’s Black Sky Festival this December alongside Skinless. Details on that festival are available. Additional dates will be announced shortly. PIG DESTROYER Tour Dates. Savagery by Skinless US Death Metal veterans SKINLESS return with their pulverizing sixth studio offering, aptly titled Savagery. Recorded by Tom Case at Doomsday Bunker Studio in New York and by Dave Otero (Primitive Man, Cattle Decapitation, Cephalic Carnage) at Flatline Audio in Colorado. Savagery embodies nine slabs of rotting, aural remains across 37 minutes of titanic slams, untouchable grooves, mauling riffs and blood-thirsty, bestial growls.
Brian Harvey is an absolute powerhouse behind the kit. His blast beats are dizzying, but precise just the way they should be. He also knows when to tone it down a bit to let the music breathe or at least the closest thing that comes to breathing on this album. But the highlight for me has got to be J.R Hayes’ vocal performance. Grindcore is more known for its guttural cookie monster vocals, but not here. Hayes’ vocals sound desperate and anguished, but most frighteningly of all he sounds human.
Sharpness is preset at 3 and contrast is at its middle value. Instead of the inappropriate colour tone and colour saturation, settings for filter effects (none, yellow, orange, red, green) and toning effect (none, sepia, blue, purple, green) are available - an in-camera digital darkroom. Although some of the changes are fairly subtle, they give some indication of the scope of this new feature. 
These images are all from the same RAW file. They have been processed with Digital Photo Professional (DPP) using the six different Picture Style settings.