70 Watts per channel stereo (bridgeable to 140 watts mono) into 4, 8, or 16 ohms. Injustice exe. Self-biasing design with Balanced or unbalanced input. 70 Watts/Channel Eight KT90 Valves Two ECC85 Valves Two ECC83 Valves Chrome Facia • • Media Player • • • • Headphone Amps • EAR HP4 Designed for the highest fidelity in headphones. Using four 6SL7 valves for the clearest of sound. Developed for studio use with the ability to drive any headphones with one watt of power utilising an enhanced triode mode circuitry. Four 6SL7 Valves 4 Headphone Outputs - 2 High & 2 Low Impedance One line input One balanced input One line and balanced outpout Chrome or Gold Knob option • Other • EAR MC4 Our high end MC4 Transformers for stepping up Moving coil cartridges for phonostages with insufficient gain, or to upgrade an existing phonostage.
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A few months ago, I got myself an EAR 834P w/ the volume pot. The (3) tubes are stock & bear the logo of EAR. The spartan manual states that the (3) tubes are 12AX7s. I want to tube roll, so I have some NOS Matsushita 12AX7s. The tubes at V1 & V2 have the same construction and are identical. I replaced these.
EAR 834P Modification Guide. The EAR 834P is a very simple, but rather smartly designed Circuit, implemented by EAR in a rather skinflint fashion. Phonostages; EAR 834P. Ultra-compact high performing valve phonostage. Its simple and versatile design allows for easy setup with stunning performance.
Sidebar 1: Specifications Description: Moving-coil/moving-magnet phono preamplifier, available with or without front-panel level control. Input sensitivity for 1V output at 1kHz: 2.2mV (MM), 220µV (MC). Maximum output level: 30V. S/N Ratio: 80dB (IHF, unweighted).
With both Moving coil and moving magnet capability as standard, its designed to handle a wide range of cartridges. Four PCC88 Valves Moving Magnet/Moving Coil Volume/Gain control Chrome Facia with gold or chrome knobs • EAR 324 One of the few transistor based design's of Tim de Paravicini, the EAR 324 is a high grade phonostage worthy to be in the EAR lineup. Both Moving coil and moving magnet capability designed to handle a wide range of cartridges. Dual Phonostage input Moving Magnet/Moving Coil Dedicated gain control Anodised silver facia with matching knobs • Pre-amps • EAR 834L Incredibly compact valve pre-amplifier for analogue line level. Using three ECC88s to create smooth sound. Luxurious design with chrome facia and gold or chrome knobs.
The one thing that I would strongly recommend (as the owner of a fully balanced phono stage) you look into, especially when you upgrade to the lower output Grado, is using the balanced inputs on the Project. Not only would the 56 dB gain setting using the balanced inputs be ideal (using the balanced in with your MM would be less than ideal IMO but you did not seem to have an issue with even more gain than they would provide when you were using the 50 dB gain setting), chances are the phono stage would provide even better performance than you're experiencing now. The only thing that is not clear to me from the Project literature is whether the balanced inputs can be used with the single ended outputs on the RS or whether they can only be used with the balanced outputs.
Other than hearing many pops (I haven't cleaned it with the rcm yet), it sounded great to my ears. I plan on doing more listening tonight and just playing the albums with good sound. I started getting the impression that the 834p paints a little broader picture than my other stages.
I have another question regarding the unit itself. This is my first tube component and I noticed (at least I think) the sound improving as the unit warmed up. My question is how long should I let the unit warm up before I start my listening session? I just started leaving my other equipment on all the time but don't feel like that is a good idea with the 834p. Just a hunch. I'm getting back into vinyl and I never paid much attention to all this stuff when I was younger.
Dimensions: 5' W by 4' H by 11' D. Serial number of units reviewed: 0911596 (auditioning), 97081016 (measuring). Price: $895–$1295 (1997–2003).
All programming and set-up codes that you have entered into the remote will be erased and the AVEX R6 will return to the original factory default settings. • Finding a Component’s Set-up Code Number If you used the Auto--Search or Learning Methods to program a component, you may not know the code number you programmed.
Good evening all, I just rec'd a slightly used Ear 834p off of Audiogon and have a couple of questions. It didn't come with a manual so I was curious if there was a place online that might have a 'downloadable' version. I did a google search and looked at the vinyl engine website. I'm not a member there though so I used their basic search and couldn't find one.
I'm happy to help. Dealer disclaimer. Jim Pendleton Osage Audio Products, LLC.
Tel./Fax: (310) 396-1919.
Ear 834p Tube Rolling
Pablo After Michael Franks I was no nearer than I had been before, surly Ella would come to my rescue. Put the Album on using the Project and Ella stepped into my Living room and sang to me. At last a winner. I then played her through the EAR and Ella Stepped into my living room and sang to me. Back to my dilemma. How do I pick one of these fine Phono Stages.